NGARRU, 2008

Important Australian Aboriginal Art
18 March 2020


(c.1935 – 2017)
NGARRU, 2008

synthetic polymer paint on Belgian linen

121.0 x 153.0 cm

bears inscription verso: artist’s name, size and Papunya Tula Artists cat. PT0803074

$10,000 – 15,000
Sold for $12,200 (inc. BP) in Auction 60 - 18 March 2020, Melbourne

Papunya Tula Artists, Alice Springs, Northern Territory
Gallery Gabrielle Pizzi, Melbourne (label attached verso)
Private collection, Melbourne


Papunya Tula 2009, Gallery Gabrielle Pizzi, Melbourne, 14 April – 9 May 2009 (as ‘Designs Associated with the Site of Ngarru’)

Catalogue text

Patrick Tjungurrayi was born deep in the Western Desert at Yalangerri (near Jupiter Well) on the Canning Stock Route, about 200 kilometres west of Wilkinkarra (Lake Mackay) around 1940 and lived with his family group moving from rockhole to rockhole through Pintupi country. By the 1940s Anangu (people of the Western Desert cultural bloc) were vacating their homelands to various settlements on the fringe of the desert. In the late 1950s Tjungurrayi's group walked out of the desert and settled at Balgo. In the mid-1980s after many years of moving across the country Tjungurrayi returned to Balgo, where he began painting (under the name Patrick Olodoodi Tjungurrayi) for the newly established Warlayirti Artists. This great migration out of the desert during the mid-twentieth century and then back again in the 1980s shaped his life and art. A few years later he moved to Kiwirrkurra and began painting for Papunya Tula Artists but he returned regularly to Balgo. At first he painted in different styles, depending on whether he was in Balgo or Kiwirrkurra, but over time developed a hybrid of the two. In combining the colour of Balgo art with the geometry of the classic Papunya Tula style, his paintings symbolically reunite Anangu culture from around Wilkinkarra.

Tjungurrayi regularly painted his country around Yalangerri and the setting for this painting is the lake at Ngarru, west of Jupiter Well in the Gibson Desert, where a large group of mythical ancestral Tingari Men camped on their journey east to Tarkul and on to Wilkinkarra (Lake Mackay). The designs in the painting relate to those used in rituals associated with the Tingari where the law is revealed to initiates. The painting evokes the spiritual nature of the landscape, endowed by the life-sustaining powers of the ancestors.