INDIGENOUS FINE ART

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CRISPIN GUTTERIDGE

SENIOR ART SPECIALIST, HEAD OF INDIGENOUS ART

Crispin holds a Bachelor of Arts (Visual Arts and History) from Monash University.
In 1995, he began working for Sotheby’s Australia, where he became the representative for Aboriginal art in Melbourne.
In 2006 Crispin joined Joel Fine Art as head of Aboriginal and Contemporary Art and later was appointed head of the Sydney office.
He possesses extensive knowledge of Australian indigenous art and has over 20 years experience in the Australian fine art auction market.

Phone: + 61 (0)3 9865 6333
Mobile: +61 (0)411 883 052
CULTURAL HERITAGE PERMITS
 
Under the provisions of the Protection of Movable Cultural Heritage Act,
1986, buyers may be required to obtain an export permit for certain
categories of items in this sale from the Cultural Property Section:
 
Department of Communications and the Arts
GPO Box 2154
Canberra ACT 2601
Phone: 1800 819 461
 
Under the Convention on International Trade in Endangered Species of
Wild Fauna and Flora (CITES), permits are required for the movement of
wildlife, wildlife specimens and products made or derived from wildlife.
This includes species on the endangered species list. Buyers may
be required to obtain an export permit for certain categories of items
offered at auction. Permits must be obtained from:
 
Wildlife Trade Regulation Section
Environment Australia
GPO Box 787
Canberra ACT 2601
Phone: (02) 6274 1900
 
Under the provisions of the Wildlife and Protection (Regulation of
Exports and Imports) Act, 1982, buyers may be required to obtain an
export permit for certain categories of items offered at auction (including
plant or animal products derived from an Australian native species such
as: ivory, tortoise shell, feathers, etc). Permits must be obtained from the
Wildlife Protection Section, Environment Australia-Biodiversity Group at
the address above, prior to items being export from Australia.
 
 
IMPORTANT NOTICE
 
Some imagery on bark and early western desert paintings in this
catalogue may be deemed unsuitable for viewing by women, children
or uninitiated men. We suggest ar t co-ordinators at Aboriginal
communities show this catalogue to community elders for approval
before distributing the catalogue for general viewing. Co-ordinators may
wish to mask or remove certain images prior to circulation. The English
spelling of aboriginal names has evolved over the years. In this catalogue
every effort has been made to use the current linguistic form. However
original information from certificates has been transcribed as written
with the result that there are different spellings of the same name, title,
language group and story.