Bindi Cole (born 1975)

KOORIMITE KID, 2008

from the series POST US

digital pigment print on rag paper

150.0 x 110.0 cm (image)
171.5 x 130.0 cm (frame)

edition: 3/5
signed on label verso

Nellie Castan Gallery, Melbourne (label attached verso)
Corrigan Collection, Sydney, acquired from the above in June 2013
On long-term loan to the University of Technology, Sydney, December 2013 – November 2020

Post Us, Boscia Galleries, Melbourne, 2008 (another example)
Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection, UQ Art Museum, Brisbane, 6 August – 30 October 2016

Edmonds, F. and Clarke, M., Sort of Like Reading a Map, A Community Report on the Survival of South-East Australian Aboriginal Art since 1834, Cooperative Research Centre for Aboriginal Health, Darwin, 2009, pl. 60, p. 43 (illus., another example)
Moreau, S., The presence which is absence. Urban Aboriginal artists and the motive of the body, 2013, thesis, pp. 49, 50, 51 (illus., another example)
Craig, G., and Presley, R., Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection, UQ Art Museum, Brisbane, 2016, pp. 55 (illus.), 90, and illus. back cover